In cultures similar to these of Africa and Oceania, a definition of art that encompasses this continuum has existed for centuries. In the West, however, by the mid-18th century the event of academies for portray and sculpture established a sense that these media had been “art” and subsequently separate from more utilitarian media. This separation of art forms continued among art institutions till the late 20th century, when such inflexible distinctions began to be questioned. A common up to date criticism of some trendy art happens along the traces of objecting to the apparent lack of skill or capacity required within the production of the creative object. In conceptual art, Marcel Duchamp’s “Fountain” is among the first examples of pieces wherein the artist used found objects (“ready-made”) and exercised no traditionally recognised set of abilities. Tracey Emin’s My Bed, or Damien Hirst’s The Physical Impossibility of Death in the Mind …