Lanza Atelier introduces new Mexican architecture

Lanza Atelier has been named the designer of this year’s Serpentine Pavilion, marking a rare international spotlight for a Mexican studio. Founders Isabel Abascal and Alessandro Arienzo describe their work as part of a “new generation” of Mexican architects focused on experimentation. “It’s time to bring new Mexican architecture to the table,” Arienzo said, calling the commission a “thrilling” opportunity.

The studio, based in Mexico City since 2015, was stunned when the Serpentine Gallery team reached out with the invitation. Most of their work remains in Mexico, but the pair credit their experimental approach and diverse portfolio for the surprise recognition. “We try to put the same energy into everything,” Arienzo said, whether designing a table or a pavilion.

Lanza Atelier’s projects range from houses in Cancun to exhibition designs in New York. The studio began with a public bathroom project along a bike path in Mexico City, which became a catalyst for pushing boundaries. Abascal noted the challenge of lobbying for all-gender bathrooms at the time, a move that tested their resolve.

“Every commission is a chance to experiment,” Abascal said. The studio’s process starts with intense research and conceptual development, often leading to unexpected outcomes. “We’re like a workshop,” she added. “You never know where the project will take you.”

The Serpentine Pavilion design draws from crinkle-crankle walls, undulating brick structures with roots in ancient Egypt and England. The pavilion will use brick to mirror traditional English gardens and the Serpentine South Gallery’s facade. “We’re highlighting vernacular construction wisdom,” Abascal said, emphasizing resource efficiency in the design.

The structure also nods to the nearby Serpentine Lake, named for its snake-like shape. Unlike previous pavilions, which focused on a single “centrepiece,” Lanza Atelier’s design splits the space into an indoor area and an outdoor gathering spot. “The garden isn’t just a background,” Arienzo said. “It’s part of the experience.”

With six members, they often collaborate with emerging architects. Abascal noted the influence of both deceased Mexican masters and living peers. “We learn from each generation,” she said, though their own work remains distinct. The team’s small size allows for close collaboration, which shapes their creative process.

Lanza Atelier’s work on the pavilion has drawn attention from architecture critics and cultural institutions. The project is seen as a milestone for the studio, which has previously focused on smaller-scale commissions. The team is now considering how to expand their practice while maintaining their signature design philosophy.